[vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”820606″]<\/p>\n
https:\/\/vimeo.com\/742006189?embedded=true&source=video_title&owner=22623234[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”117934″]For the past ten years, creator and choreographer Sarah-\u00c8ve Grant has been working on a portrait series of artists from different fields, with a specific curiosity about the people behind the art. What happens when an artist teaches and devotes their life to dance? Sarah-\u00c8ve\u2019s work\u00a0Moins au sujet de moi<\/i>\u00a0turns to dancer and teacher Marc Boivin. Walking the line between truth and fiction, the choreographer uses documentary fiction to show a kind of behind the scenes, share secrets, and reveal the infinitely small.[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/1″][vc_column_text uncode_shortcode_id=”608164″]<\/p>\n Sarah-\u00c8ve Grant is a choreographer and dancer. In 2009, she received her bachelor\u2019s in dance with a specialization in choreography from UQAM. She launched her professional career with\u00a0Un jour, mon p\u00e8re m\u2019a dit<\/i>\u00a0(2010), presented as an opening act for Dave Saint-Pierre. Usine C\u2019s 3rd Floor residencies hosted her for\u00a0Note \u00e0 Moi-M\u00eame\u00a0<\/i>(2011). She presented\u00a0Dans le cercle\u00a0<\/i>(2012) and\u00a0Le Guillaume Lambert Show<\/i>\u00a0(2015) at Tangente, and then\u00a0S\u00e9rie Portraits<\/i>\u00a0(Note \u00e0 Moi-M\u00eame, J\u00e9r\u00e9mi Roy est un Homme Libre<\/i>\u00a0and\u00a0Le Guillaume Lambert Show<\/i>) at the OFFTA in 2014. In 2017, Corpuscule Danse commissioned her for the project\u00a0Quadriptyque<\/i>. She is currently working on\u00a0Moins au sujet de moi<\/i>, her most recent portrait of the dance artist and teacher Marc Boivin.<\/p>\n ‘Everything began with an email I wrote to Marc Boivin. We had coffee and discussed my portrait project. I offered to begin the process by observing his dance technique classes. I watched approximately 30 of Marc\u2019s classes over the course of a year, for a total of 60 hours. I experienced every moment in class with Marc as a genuinely pleasurable performance. During our first research period in the studio, we talked. It was my opportunity to learn about him, his teaching career, and his path. I asked a lot of questions, and his answers always inspired me. I recorded our conversations, watched him, asked for his opinion, listened. I gradually confirmed that my choreographic lens would consider his teaching practice. We became closer through the research process. Today, the work is a multiplicity of layers, and only a small fraction of them are perceptible to audiences. I still have my observations notes, the theories supporting Marc\u2019s teaching, concepts around learning, terms, audio recordings, conversations, writings, definitions. I am grateful to you, dear audience, for witnessing us at this point in our process.’\u00a0\u2014 Sarah-\u00c8ve Grant<\/b><\/p>\n<\/div>\n<\/div>\n [\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”539539″]<\/p>\n Dates Get to [\/vc_column_text][\/vc_column][vc_column width=”1\/2″][vc_column_text uncode_shortcode_id=”173383″]<\/p>\n Box office Rates<\/u>Sarah-\u00c8ve Grant<\/h2>\n
Choreographer<\/h4>\n
Artistic intent<\/h4>\n
Practical Informations<\/h1>\n
\n<\/u>Oct. 2022, 21 – 5 pm
\nOct. 2022, 22 – 11 am + 8 pm
\nOct. 2022, 23\u00a0 – 3 pm
\nNov. 2022, 18 – 5 pm
\nNov. 2022, 19 – 11 am + 8 pm
\nNov. 2022, 20 – 3 pm<\/p>\n
\n<\/u>Studio 303
\n372 Sainte-Catherine West – 3rd floor
\nMontr\u00e9al, QC H3B 1A2<\/p>\n<\/div>\n
\n<\/u>Danse-Cit\u00e9 :\u00a0(514) 525-3595
\nhttps:\/\/danse-cite.org\/en\/billetterie<\/a><\/p>\n
\nRegular : 28 $ | Discounted : 24 $
\nAccompanying person (for spectators with a disability) : 0 $<\/p>\n