{"id":54483,"date":"2017-01-25T19:10:57","date_gmt":"2017-01-25T19:10:57","guid":{"rendered":"http:\/\/localhost:8888\/wordpress\/?p=54483"},"modified":"2017-10-02T15:27:42","modified_gmt":"2017-10-02T15:27:42","slug":"i-13","status":"publish","type":"post","link":"http:\/\/marcboivin.org\/en\/i-13\/","title":{"rendered":"I 13 (square)"},"content":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text]The research that underlies the solo <em><a href=\"http:\/\/www.marcboivin.org\/en\/impact\">Impact<\/a><\/em> is documented and represented in the piece <em>I13 (square)<\/em>. A related project, whose duration is 13 minutes and 13 seconds, this work can be seen as a visual and danced prologue to the solo.<\/p>\n<p>Following a commission from Rendez-vous du cin\u00e9ma qu\u00e9b\u00e9cois, Marc Boivin asked Jonathan Inksetter to create a media work, which refers to the title of the photograph <em>Milk and Blood<\/em> by American artist Andres Serrano, and exposes, in parallel, his own creation process. Images of the relations developed between artistic interlocutors in the rehearsal studio are projected on a white Plexiglas screen, while the artist dances and improvises his memory of the work, in the soundscape created by Diane Labrosse and recorded live in the studio. In this work, one sees the dancer\u02bcs parents, the source of any biographical quest, accompanying him in his journey.<\/p>\n<p>Choreography and interpretation &gt; <strong>Marc Boivin<\/strong><br \/>\nVisual environment and conceptual development &gt; <strong>Jonathan Inksetter<\/strong><br \/>\nRehearsal mistress and artistic consultant &gt; <strong>Sophie Corriveau<\/strong><br \/>\nMusic &gt; <strong>Diane Labrosse<\/strong><br \/>\nCostume &gt; <strong>Marc Boivin + Jonathan Inksetter<\/strong><br \/>\nOriginal ligthting &gt; <strong>Yan Lee Chan<\/strong><\/p>\n<p><iframe src=\"https:\/\/player.vimeo.com\/video\/12514503\" width=\"640\" height=\"360\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p style=\"text-align: right; font-size: 10px;\">photo credit: Sandra Lynn B\u00e9langer<\/p>\n<p>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>[vc_row][vc_column width=&#8221;1\/1&#8243;][vc_column_text]The research that underlies the solo Impact is documented and represented in the piece I13 (square). A related project, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":54490,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[87,88],"tags":[],"_links":{"self":[{"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/posts\/54483"}],"collection":[{"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/comments?post=54483"}],"version-history":[{"count":5,"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/posts\/54483\/revisions"}],"predecessor-version":[{"id":55051,"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/posts\/54483\/revisions\/55051"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/media\/54490"}],"wp:attachment":[{"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/media?parent=54483"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/categories?post=54483"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/marcboivin.org\/en\/wp-json\/wp\/v2\/tags?post=54483"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}